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Abstract expressionism / Barbara Hess ; Uta Grosenick (Ed.) ; [translation, Michael Scuffil].

Hess, Barbara, 1963- (author.). Grosenick, Uta, (editor.). Scuffil, Michael, (translator.).

Available copies

  • 1 of 1 copy available at Homer Library.

Current holds

0 current holds with 1 total copy.

Location Call Number Barcode Shelving Location Holdable? Status Due Date
Homer Public Library 709.04052 HES 000154279 Nonfiction Place on copy / volume Available -

Record details

  • Physical Description: 95 pages : illustrations (chiefly colour), portraits ; 27 cm.
  • Edition: [2019 edition].
  • Publisher: Köln : Taschen, [2019]

Content descriptions

General Note:
Originally published: 2005.
Summary, etc.:
Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning. Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.--Inner cover.
Language Note:
Translated from the German.
Subject: Abstract expressionism.
Abstract expressionism.
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1001 . ‡aHess, Barbara, ‡d1963- ‡eauthor.
24510. ‡aAbstract expressionism / ‡cBarbara Hess ; Uta Grosenick (Ed.) ; [translation, Michael Scuffil].
250 . ‡a[2019 edition].
264 1. ‡aKöln : ‡bTaschen, ‡c[2019]
300 . ‡a95 pages : ‡billustrations (chiefly colour), portraits ; ‡c27 cm.
336 . ‡atext ‡btxt ‡2rdacontent
336 . ‡astill image ‡bsti ‡2rdacontent
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338 . ‡avolume ‡bnc ‡2rdacarrier
4901 . ‡aBasic art series 2.0
520 . ‡aHailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning. Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.--Inner cover.
546 . ‡aTranslated from the German.
500 . ‡aOriginally published: 2005.
650 0. ‡aAbstract expressionism.
650 7. ‡aAbstract expressionism. ‡2fast ‡0(OCoLC)fst00794746
7001 . ‡aGrosenick, Uta, ‡eeditor.
7001 . ‡aScuffil, Michael, ‡etranslator.
830 0. ‡aBasic art series 2.0.
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