Contempt = Le mépris / Cocinor pré́sente ; un film de Jean-Luc Godard ; produit par Georges de Beauregard et Carlo Ponti pour le Société Rome-Paris Films, Concordia, et Compagnia Cinematografia Champion.
"Legenardy director Jean-Luc Godard's Contempt is a movie within a movie -- on the surface, the film is about a director whose wfie Camille falls out of love with him while he is rewriting an adaptation of Homer's Odyssey for an American producer. But underneath this tragic tale of doomed romance lies Godard's true subject: the commercial film industry, which he shows his contempt for in a directing performance that is slyly subversive, darkly comic and completely original."--Packaging.
Record details
- Physical Description: 1 videodisc (101 min.) : sound, color ; 4 3/4 in.
- Publisher: Santa Monica, California : Lionsgate, [2014?]
- Copyright: ©1963
Content descriptions
General Note: | Original French credits in narration, subtitled in English. Originally released as a motion picture in 1963. Based on the novel Il disprezzo by Alberto Moravia. |
Creation/Production Credits Note: | Cinematography, Raoul Coutard; editor, Agnès Guillemot; sound, William Sivel; music, Georges Delerue. |
Participant or Performer Note: | Brigitte Bardot, Michel Piccoli, Jack Palance, Giorgia Moll, Fritz Lang. |
System Details Note: | DVD-R, DVD format. |
Language Note: | French with English subtitles. |
Search for related items by subject
Genre: | Fiction films. Feature films. Feature films. Fiction films. Drama. |
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Homer Public Library | DVD CON (Text) | 000128450 | Video | Available | - |
Summary:
"Legenardy director Jean-Luc Godard's Contempt is a movie within a movie -- on the surface, the film is about a director whose wfie Camille falls out of love with him while he is rewriting an adaptation of Homer's Odyssey for an American producer. But underneath this tragic tale of doomed romance lies Godard's true subject: the commercial film industry, which he shows his contempt for in a directing performance that is slyly subversive, darkly comic and completely original."--Packaging.