Impressionism / Karin H. Grimme ; Norbert Wolf (ed.) ; translation, Michael Scuffil.
"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." -- Provided by publisher.
Record details
- ISBN: 9783836536974
- ISBN: 3836536978
- Physical Description: 95 pages : illustrations (some color), portraits ; 27 cm.
- Edition: English edition.
- Publisher: Köln : Taschen, [2017]
Content descriptions
General Note: | Original edition ©2007. |
Formatted Contents Note: | Pictures created from light and colour -- Frédéric Bazille -- Marie Bracquemond -- Gustave Caillebotte -- Mary Cassatt -- Edgar Degas -- Vincent van Gogh -- Armand Guillaumin -- Wassily Kandinsky -- Max Liebermann -- Claude Monet -- Berthe Morisot -- Giuseppe de Nittis -- Camille Pissarro -- Pierre-Auguste Renoir -- Medardo Rosso -- John Singer Sargent -- Giovanni Battista Segantini -- Georges Seurat -- Walter Richard Sickert -- Paul Signac -- Alfred Sisley -- Max Slevogt -- Fritz von Uhde -- Federico Zandomeneghi. |
Language Note: | Translated from the German. |
Search for related items by subject
Subject: | Impressionism (Art) Impressionism (Art) |
Genre: | Nonfiction. Art criticism. Art criticism. |
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Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Homer Public Library | 759.054 GRI (Text) | 000154285 | Nonfiction | Available | - |
LDR | 03507cam a2200541Ii 4500 | ||
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001 | 96001 | ||
003 | HLC | ||
005 | 20200215122815.0 | ||
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100 | 1 | . | ‡aGrimme, Karin H., ‡eauthor. |
240 | 1 | 0. | ‡aImpressionismus. ‡lEnglish |
245 | 1 | 0. | ‡aImpressionism / ‡cKarin H. Grimme ; Norbert Wolf (ed.) ; translation, Michael Scuffil. |
250 | . | ‡aEnglish edition. | |
250 | . | ‡a[Second edition]. | |
264 | 1. | ‡aKöln : ‡bTaschen, ‡c[2017] | |
300 | . | ‡a95 pages : ‡billustrations (some color), portraits ; ‡c27 cm. | |
336 | . | ‡atext ‡btxt ‡2rdacontent | |
337 | . | ‡aunmediated ‡bn ‡2rdamedia | |
338 | . | ‡avolume ‡bnc ‡2rdacarrier | |
490 | 1 | . | ‡aBasic art series 2.0 |
500 | . | ‡aOriginal edition ©2007. | |
505 | 0 | 0. | ‡gPictures created from light and colour -- ‡rFrédéric Bazille -- ‡rMarie Bracquemond -- ‡rGustave Caillebotte -- ‡rMary Cassatt -- ‡rEdgar Degas -- ‡rVincent van Gogh -- ‡rArmand Guillaumin -- ‡rWassily Kandinsky -- ‡rMax Liebermann -- ‡rClaude Monet -- ‡rBerthe Morisot -- ‡rGiuseppe de Nittis -- ‡rCamille Pissarro -- ‡rPierre-Auguste Renoir -- ‡rMedardo Rosso -- ‡rJohn Singer Sargent -- ‡rGiovanni Battista Segantini -- ‡rGeorges Seurat -- ‡rWalter Richard Sickert -- ‡rPaul Signac -- ‡rAlfred Sisley -- ‡rMax Slevogt -- ‡rFritz von Uhde -- ‡rFederico Zandomeneghi. |
520 | . | ‡a"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." -- ‡cProvided by publisher. | |
546 | . | ‡aTranslated from the German. | |
650 | 0. | ‡aImpressionism (Art) | |
650 | 7. | ‡aImpressionism (Art) ‡2fast ‡0(OCoLC)fst00968249 | |
655 | 4. | ‡aNonfiction. | |
655 | 7. | ‡aArt criticism. ‡2fast ‡0(OCoLC)fst02003312 | |
655 | 7. | ‡aArt criticism. ‡2lcgft | |
700 | 1 | . | ‡aWolf, Norbert, ‡d1949- ‡eeditor. |
700 | 1 | . | ‡aScuffil, Michael, ‡etranslator. |
830 | 0. | ‡aBasic art series 2.0. | |
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