Book
Pop art / Klaus Honnef ; Uta Grosenick (ed.).
"Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork. Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing. With featured artists including Andy Warhol, Allan Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement.
Record details
- ISBN: 9783836523370
- ISBN: 383652337X
- ISBN: 9783836519649
- ISBN: 383651964X
- Physical Description: 95 pages : color illustrations ; 27 cm.
- Publisher: Köln : Taschen, [2018]
- Copyright: ©2004
Content descriptions
| General Note: | Original edition: 2004 Taschen GmbH. |
| Formatted Contents Note: | Pop art -- On the balcony / Peter Blake -- U.S. Highway 1, number 5/ Allan D'Arcangelo -- Double isometric self-portrait (Serape)/ Allan D'Arcangelo -- Hollywood (Jean Harlow)/ Red Grooms -- Just what is it that makes today's homes so different, so appealing?/ Richard Hamilton -- My Marilyn (paste up)/ Richard Hamilton -- Tea painting in an illusionistic style/ David Hockney -- The big eight/ Robert Indiana -- Flag/ Jasper Johns -- Perfect match/ Allen Jones -- Takka takka/ Roy Lichtenstein -- M-maybe -- Yellow and green brushstrokes -- Pastry case I/ Claes Oldenburg -- Soft washstand/ Claes Oldenburg -- Giant fagends -- Lions versus eagles/ Peter Phillips -- Custom painting no. 5 -- Velveeta/ Mel Ramos -- Black market/ Robert Rauschenberg -- Untitled (Joan Crawford)/ James Rosenquist -- Standard station/ Edward Ruscha -- Hollywood -- Woman washing her feet in a sink/ George Segal -- The restaurant window I -- Cake counter/ Wayne Thiebaud -- 129 die in jet/ Andy Warhol -- Gold Marilyn Monroe -- Two dollar bills (front and rear) -- Campbell's soup can I -- Still life no. 20/ Tom Wesselmann -- Bathtub no. 3 -- Great American nude no. 98. |
| Language Note: | English translation: John Gabriel. |
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Show Only Available Copies
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Homer Public Library | 709.04071 HON (Text) | 000154284 | Nonfiction | Available | - |
| LDR | 04424cam a22007097i 4500 | ||
|---|---|---|---|
| 001 | 96016 | ||
| 003 | HLC | ||
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| 240 | 1 | 0. | ‡aPop art. ‡lEnglish |
| 245 | 1 | 0. | ‡aPop art / ‡cKlaus Honnef ; Uta Grosenick (ed.). |
| 264 | 1. | ‡aKöln : ‡bTaschen, ‡c[2018] | |
| 264 | 4. | ‡c©2004 | |
| 300 | . | ‡a95 pages : ‡bcolor illustrations ; ‡c27 cm. | |
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| 500 | . | ‡aOriginal edition: 2004 Taschen GmbH. | |
| 520 | . | ‡a"Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork. Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing. With featured artists including Andy Warhol, Allan Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement. | |
| 546 | . | ‡aEnglish translation: John Gabriel. | |
| 505 | 0 | 0. | ‡gPop art -- ‡tOn the balcony / ‡rPeter Blake -- ‡tU.S. Highway 1, number 5/ ‡rAllan D'Arcangelo -- ‡tDouble isometric self-portrait (Serape)/ ‡r Allan D'Arcangelo -- ‡tHollywood (Jean Harlow)/ ‡r Red Grooms -- ‡tJust what is it that makes today's homes so different, so appealing?/ ‡r Richard Hamilton -- ‡tMy Marilyn (paste up)/ ‡rRichard Hamilton -- ‡tTea painting in an illusionistic style/ ‡rDavid Hockney -- ‡tThe big eight/ ‡rRobert Indiana -- ‡tFlag/ ‡rJasper Johns -- ‡tPerfect match/ ‡rAllen Jones -- ‡tTakka takka/ ‡rRoy Lichtenstein -- ‡tM-maybe -- ‡tYellow and green brushstrokes -- ‡tPastry case I/ ‡rClaes Oldenburg -- ‡tSoft washstand/ ‡rClaes Oldenburg -- ‡tGiant fagends -- ‡tLions versus eagles/ ‡rPeter Phillips -- ‡tCustom painting no. 5 -- ‡tVelveeta/ ‡rMel Ramos -- ‡tBlack market/ ‡rRobert Rauschenberg -- ‡tUntitled (Joan Crawford)/ ‡rJames Rosenquist -- ‡tStandard station/ ‡rEdward Ruscha -- ‡tHollywood -- ‡tWoman washing her feet in a sink/ ‡rGeorge Segal -- ‡tThe restaurant window I -- ‡tCake counter/ ‡rWayne Thiebaud -- ‡t129 die in jet/ ‡rAndy Warhol -- ‡tGold Marilyn Monroe -- ‡tTwo dollar bills (front and rear) -- ‡tCampbell's soup can I -- ‡tStill life no. 20/ ‡rTom Wesselmann -- Bathtub no. 3 -- Great American nude no. 98. |
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| 651 | 7. | ‡aGreat Britain. ‡2cct | |
| 651 | 7. | ‡aUnited States. ‡2cct | |
| 700 | 1 | . | ‡aGrosenick, Uta, ‡eeditor. |
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