Catalog

Record Details

Catalog Search



Odilon Redon, 1840-1916 : the prince of dreams  Cover Image Book Book

Odilon Redon, 1840-1916 : the prince of dreams / Michael Gibson ; [English text edited by Chris Miller].

Record details

  • ISBN: 9783836553216
  • ISBN: 383655321X
  • Physical Description: 95 pages : illustrations (some color) ; 27 cm.
  • Edition: English edition.
  • Publisher: Köln : Taschen, [2017]

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (page 95).
Subject: Redon, Odilon, 1840-1916 > Exhibitions.
Redon, Odilon, 1840-1916.
Genre: Exhibition catalogs.

Available copies

  • 1 of 1 copy available at Homer Library. (Show)
  • 1 of 1 copy available at Homer Library System. (Show)
  • 1 of 1 copy available at Homer Public Library.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Homer Public Library 759.4 GIB (Text) 000161685 Nonfiction Available -

Syndetic Solutions - Summary for ISBN Number 9783836553216
Redon
Redon
by Gibson, Michael
Rate this title:
vote data
Click an element below to view details:

Summary

Redon


A major Symbolist artist, Odilon Redon (1840-1916) was also a painter of scenic and emotional extremes. Until around 1890, he was renowned for work in black and white only. These "Noirs" in charcoal drawing or lithograph were composed not only of a sombre palette, but also by fantastic, frightening figures. Gradually, the artist began to introduce colored pastel, and with it, new and lighter motifs. Flowers became a recurring preoccupation. Where symbols of melancholy once stood, horses and fluttering butterflies entered the scene.While this latter-day lyricism and harmony contrasted sharply with Redon's earlier mood of melancholy, his guiding principle remained to "place the visible at the service of the invisible". With his dream-like imagery, sumptuous textures, and suggestive use of color, Redon sought to create a pictorial equivalent to his own psyche. From foreboding to lightness, he was above all an artist of states of mind, with considerable influence on later Post-Impressionism.

Additional Resources