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Framing America : a social history of American art  Cover Image Book Book

Framing America : a social history of American art

Summary: "Framing America takes an inclusive approach to American art. Along with comprehensive coverage of the canon, it expands and integrates treatment of frequently marginalized groups, while also addressing domestic arts and a range of political and social contexts. This fully revised fourth edition, reorganized in response to readers' suggestions, includes thirty-two chapters now arranged into nine parts, and available in two separate volumes; part openers featuring timelines and introductions that highlight how major events and artistic movements relate chronologically; increased coverage of the lives and work of women, African Americans, and Native Americans; new images--from a sixteenth-century print of the Spanish conquest of the Americas and a seventeenth-century embroidered altar frontal from New France, to nineteenth century American Impressionist landscape paintings and photographic portraits of San Francisco's Chinatown and Civil War battlefields; new review questions at the end of each chapter; instructor resources, including a fully revised test bank, the author's notes on using the book, links to further relevant material, and images for instructors"--

Record details

  • ISBN: 9780500292976
  • ISBN: 0500292973
  • ISBN: 9780500292952
  • ISBN: 0500292957
  • ISBN: 9780500292969
  • ISBN: 0500292965
  • Physical Description: print
    volumes : illustrations (some color) ; 28 cm
  • Edition: Fourth edition.
  • Publisher: New York, NY : Thames & Hudson, 2017.

Content descriptions

Bibliography, etc. Note: Includes bibliographical references and index.
Formatted Contents Note: v. 1. c. 200 BCE-1900. Part 1: Art and conquest c. 200 BCE-1821 CE. 1. Visualizing the conquest : colonial Spain and indigenous Mesoamerica (c. 1500-1580) ; 2. Art and architecture in the northern territories of New Spain (c. 900-1821) ; 3. New France : contact zones and cultural production (c. 200 BCE-1760 CE) ; 4. A Protestant presence in America : the arts of the British and Dutch colonies (c. 1585-1772) -- Part 2: Defining America c. 1765-1850. 5. Representing the American Revolution and its leaders (c. 1765-1810) ; 6. Symbols of a new nation : architecture and indigenous histories (c. 1785-1827) ; 7. The schooling of the nation's artists (c. 1820-1850) -- Part 3: Nature and nation c. 1000-1863. 8. Nature and the sacred (c. 1000-1863) ; 9. The occupied landscape (c. 1830-1863) ; 10. Domesticated nature (c. 1818-1860) -- Part 4: A nation at war c. 1830-1900. 11. Images of Mexico and/as America : the Mexico-US War and its aftermath (c. 1848-1860) ; 12. A nation divided : slavery and the Civil War (c. 1839-1865) ; 13. Reconstruction and shifting images of African Americans (c. 1886-1900) ; 14. The Indian Wars and the end of the Ghost Dance (c. 1869-1900) -- Part 5: Art, labor, and the Gilded Age c. 1865-1900. 15. The art of industrial labor (c. 1871-1890) ; 16. The art of professional and domestic labor (c. 1865-1889) ; 17. Gender, the ideal, and the real (c. 1871-1900) ; 18. Art and architecture at the end of the century (c. 1885-1900) -- Glossary --
Subject: Art, American
Art and society
Art, American
Art and society
Genre: History.

Available copies

  • 2 of 2 copies available at Homer Library. (Show)
  • 2 of 2 copies available at Homer Library System. (Show)
  • 2 of 2 copies available at Homer Public Library.

Holds

  • 0 current holds with 2 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Homer Public Library 709.7 POH V.1 (Text) 000155289 Nonfiction Available -
Homer Public Library 709.7 POH V.2 (Text) 000155290 Nonfiction Available -

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1001 . ‡aPohl, Frances K. ‡q(Frances Kathryn), ‡d1952-
24510. ‡aFraming America : ‡ba social history of American art / ‡cFrances K. Pohl.
250 . ‡aFourth edition.
264 1. ‡aNew York, NY : ‡bThames & Hudson, ‡c2017.
300 . ‡avolumes : ‡billustrations (some color) ; ‡c28 cm
336 . ‡atext ‡btxt ‡2rdacontent
337 . ‡aunmediated ‡bn ‡2rdamedia
338 . ‡avolume ‡bnc ‡2rdacarrier
504 . ‡aIncludes bibliographical references and index.
50500. ‡gv. 1. c. 200 BCE-1900. ‡gPart 1: ‡tArt and conquest c. 200 BCE-1821 CE. ‡g1. ‡tVisualizing the conquest : colonial Spain and indigenous Mesoamerica (c. 1500-1580) ; ‡g2. ‡tArt and architecture in the northern territories of New Spain (c. 900-1821) ; ‡g3. ‡tNew France : contact zones and cultural production (c. 200 BCE-1760 CE) ; ‡g4. ‡tA Protestant presence in America : the arts of the British and Dutch colonies (c. 1585-1772) -- ‡gPart 2: ‡tDefining America c. 1765-1850. ‡g5. ‡tRepresenting the American Revolution and its leaders (c. 1765-1810) ; ‡g6. Symbols of a new nation : architecture and indigenous histories (c. 1785-1827) ; ‡g7. ‡tThe schooling of the nation's artists (c. 1820-1850) -- ‡gPart 3: ‡tNature and nation c. 1000-1863. ‡g8. ‡tNature and the sacred (c. 1000-1863) ; ‡g9. ‡tThe occupied landscape (c. 1830-1863) ; ‡g10. ‡tDomesticated nature (c. 1818-1860) -- ‡gPart 4: ‡tA nation at war c. 1830-1900. ‡g11. ‡tImages of Mexico and/as America : the Mexico-US War and its aftermath (c. 1848-1860) ; ‡g12. ‡tA nation divided : slavery and the Civil War (c. 1839-1865) ; ‡g13. ‡tReconstruction and shifting images of African Americans (c. 1886-1900) ; ‡g14. ‡tThe Indian Wars and the end of the Ghost Dance (c. 1869-1900) -- ‡gPart 5: ‡tArt, labor, and the Gilded Age c. 1865-1900. ‡g15. ‡tThe art of industrial labor (c. 1871-1890) ; ‡g16. ‡tThe art of professional and domestic labor (c. 1865-1889) ; ‡g17. ‡tGender, the ideal, and the real (c. 1871-1900) ; ‡g18. ‡tArt and architecture at the end of the century (c. 1885-1900) -- Glossary --
50580. ‡gv. 2. c. 1865-present. ‡gPart 5: ‡tArt, labor, and the Gilded Age c. 1865-1900. ‡g15. ‡tThe art of industrial labor (c. 1871-1890) ; ‡g16. ‡tThe art of professional and domestic labor (c. 1865-1889) ; ‡g17. ‡tGender, the ideal, and the real (c. 1871-1900) ; ‡g18. ‡tArt and architecture at the end of the century (c. 1885-1900) -- ‡gPart 6: ‡tThe machine, the primitive, and the modern c. 1900-1930. ‡g19. ‡tModernism, realism, and the Avant-Garde (c. 1900-1920) ; ‡g20. ‡tModernism, gender, and sexuality (c. 1900-1930) ; ‡g21. ‡tModernism's racial others (c. 1900-1930) -- ‡gPart 7: ‡tArt for the people, art against fascism c. 1930-1945. ‡g22. ‡tA New Deal vision of America (c. 1930-1943) ; ‡g23. ‡tAlternative visions : urban life and the industrial worker (c. 1930-1937) ; ‡g24. ‡tAlternative visions : rural America and women as workers (c. 1928-1940) ; ‡g24. ‡tArt against war and fascism (c. 1934-1945) -- ‡gPart 8: ‡tArt in a postwar Europe : from abstraction to political protest. ‡g26. ‡tGestures of liberation : abstract art as the new American art (c. 1946-1956) ; ‡g27. ‡tPastiche, parody, and pop (c. 1950-1964) ; ‡g28. ‡tThe minimal, the conceptual, and the modern (c. 1950-1976) ; ‡g29. ‡tAn art of protest : the 1960s and 1970s (c. 1960-1980) -- ‡gPart 9: ‡tPostmodernism and the age of the anthropocene c. 1962-2016. ‡g30. ‡tPostmodernism in architecture and art (c. 1962-2002) ; ‡g31. ‡tPostmodernist art, activism, and identity politics (c. 1979-1998) ; ‡g32. ‡tEnvisioning the twenty-first century (c. 2000-2016) -- Glossary.
520 . ‡a"Framing America takes an inclusive approach to American art. Along with comprehensive coverage of the canon, it expands and integrates treatment of frequently marginalized groups, while also addressing domestic arts and a range of political and social contexts. This fully revised fourth edition, reorganized in response to readers' suggestions, includes thirty-two chapters now arranged into nine parts, and available in two separate volumes; part openers featuring timelines and introductions that highlight how major events and artistic movements relate chronologically; increased coverage of the lives and work of women, African Americans, and Native Americans; new images--from a sixteenth-century print of the Spanish conquest of the Americas and a seventeenth-century embroidered altar frontal from New France, to nineteenth century American Impressionist landscape paintings and photographic portraits of San Francisco's Chinatown and Civil War battlefields; new review questions at the end of each chapter; instructor resources, including a fully revised test bank, the author's notes on using the book, links to further relevant material, and images for instructors"-- ‡cProvided by publisher.
650 0. ‡aArt, American.
650 0. ‡aArt and society.
650 7. ‡aArt, American. ‡2fast ‡0(OCoLC)fst00815895
650 7. ‡aArt and society. ‡2fast ‡0(OCoLC)fst00815432
655 7. ‡aHistory. ‡2fast ‡0(OCoLC)fst01411628
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