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‡aDLC
‡beng
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‡b.P59 2017 |
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082 | 0 | 4. |
‡a709.7
‡223 |
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100 | 1 | . |
‡aPohl, Frances K.
‡q(Frances Kathryn),
‡d1952- |
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245 | 1 | 0. |
‡aFraming America :
‡ba social history of American art /
‡cFrances K. Pohl. |
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250 | | . |
‡aFourth edition. |
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264 | | 1. |
‡aNew York, NY :
‡bThames & Hudson,
‡c2017. |
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300 | | . |
‡avolumes :
‡billustrations (some color) ;
‡c28 cm |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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504 | | . |
‡aIncludes bibliographical references and index. |
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505 | 0 | 0. |
‡gv. 1. c. 200 BCE-1900.
‡gPart 1:
‡tArt and conquest c. 200 BCE-1821 CE.
‡g1.
‡tVisualizing the conquest : colonial Spain and indigenous Mesoamerica (c. 1500-1580) ;
‡g2.
‡tArt and architecture in the northern territories of New Spain (c. 900-1821) ;
‡g3.
‡tNew France : contact zones and cultural production (c. 200 BCE-1760 CE) ;
‡g4.
‡tA Protestant presence in America : the arts of the British and Dutch colonies (c. 1585-1772) --
‡gPart 2:
‡tDefining America c. 1765-1850.
‡g5.
‡tRepresenting the American Revolution and its leaders (c. 1765-1810) ;
‡g6. Symbols of a new nation : architecture and indigenous histories (c. 1785-1827) ;
‡g7.
‡tThe schooling of the nation's artists (c. 1820-1850) --
‡gPart 3:
‡tNature and nation c. 1000-1863.
‡g8.
‡tNature and the sacred (c. 1000-1863) ;
‡g9.
‡tThe occupied landscape (c. 1830-1863) ;
‡g10.
‡tDomesticated nature (c. 1818-1860) --
‡gPart 4:
‡tA nation at war c. 1830-1900.
‡g11.
‡tImages of Mexico and/as America : the Mexico-US War and its aftermath (c. 1848-1860) ;
‡g12.
‡tA nation divided : slavery and the Civil War (c. 1839-1865) ;
‡g13.
‡tReconstruction and shifting images of African Americans (c. 1886-1900) ;
‡g14.
‡tThe Indian Wars and the end of the Ghost Dance (c. 1869-1900) --
‡gPart 5:
‡tArt, labor, and the Gilded Age c. 1865-1900.
‡g15.
‡tThe art of industrial labor (c. 1871-1890) ;
‡g16.
‡tThe art of professional and domestic labor (c. 1865-1889) ;
‡g17.
‡tGender, the ideal, and the real (c. 1871-1900) ;
‡g18.
‡tArt and architecture at the end of the century (c. 1885-1900) -- Glossary -- |
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505 | 8 | 0. |
‡gv. 2. c. 1865-present.
‡gPart 5:
‡tArt, labor, and the Gilded Age c. 1865-1900.
‡g15.
‡tThe art of industrial labor (c. 1871-1890) ;
‡g16.
‡tThe art of professional and domestic labor (c. 1865-1889) ;
‡g17.
‡tGender, the ideal, and the real (c. 1871-1900) ;
‡g18.
‡tArt and architecture at the end of the century (c. 1885-1900) --
‡gPart 6:
‡tThe machine, the primitive, and the modern c. 1900-1930.
‡g19.
‡tModernism, realism, and the Avant-Garde (c. 1900-1920) ;
‡g20.
‡tModernism, gender, and sexuality (c. 1900-1930) ;
‡g21.
‡tModernism's racial others (c. 1900-1930) --
‡gPart 7:
‡tArt for the people, art against fascism c. 1930-1945.
‡g22.
‡tA New Deal vision of America (c. 1930-1943) ;
‡g23.
‡tAlternative visions : urban life and the industrial worker (c. 1930-1937) ;
‡g24.
‡tAlternative visions : rural America and women as workers (c. 1928-1940) ;
‡g24.
‡tArt against war and fascism (c. 1934-1945) --
‡gPart 8:
‡tArt in a postwar Europe : from abstraction to political protest.
‡g26.
‡tGestures of liberation : abstract art as the new American art (c. 1946-1956) ;
‡g27.
‡tPastiche, parody, and pop (c. 1950-1964) ;
‡g28.
‡tThe minimal, the conceptual, and the modern (c. 1950-1976) ;
‡g29.
‡tAn art of protest : the 1960s and 1970s (c. 1960-1980) --
‡gPart 9:
‡tPostmodernism and the age of the anthropocene c. 1962-2016.
‡g30.
‡tPostmodernism in architecture and art (c. 1962-2002) ;
‡g31.
‡tPostmodernist art, activism, and identity politics (c. 1979-1998) ;
‡g32.
‡tEnvisioning the twenty-first century (c. 2000-2016) -- Glossary. |
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520 | | . |
‡a"Framing America takes an inclusive approach to American art. Along with comprehensive coverage of the canon, it expands and integrates treatment of frequently marginalized groups, while also addressing domestic arts and a range of political and social contexts. This fully revised fourth edition, reorganized in response to readers' suggestions, includes thirty-two chapters now arranged into nine parts, and available in two separate volumes; part openers featuring timelines and introductions that highlight how major events and artistic movements relate chronologically; increased coverage of the lives and work of women, African Americans, and Native Americans; new images--from a sixteenth-century print of the Spanish conquest of the Americas and a seventeenth-century embroidered altar frontal from New France, to nineteenth century American Impressionist landscape paintings and photographic portraits of San Francisco's Chinatown and Civil War battlefields; new review questions at the end of each chapter; instructor resources, including a fully revised test bank, the author's notes on using the book, links to further relevant material, and images for instructors"--
‡cProvided by publisher. |
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650 | | 0. |
‡aArt, American. |
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650 | | 0. |
‡aArt and society. |
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650 | | 7. |
‡aArt, American.
‡2fast
‡0(OCoLC)fst00815895 |
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650 | | 7. |
‡aArt and society.
‡2fast
‡0(OCoLC)fst00815432 |
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655 | | 7. |
‡aHistory.
‡2fast
‡0(OCoLC)fst01411628 |
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‡aYBP Library Services
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