Includes bibliographical references (pages 227-232) and index.

Earliest Native American Art -- Paleoindian -- Archaic -- Earliest Pottery: Colombia and Ecuador -- Cotton Preceramic: Peru -- Early Formative -- First High Cultures -- Olmec of Mesoamerica -- Post-Olmec Mesoamerica -- Chavin, Peru -- Paracas, Peru -- The Classic Civilizations -- Nazca, Peru -- Moche, Peru -- La Tolita-Tumaco, Ecuador-Colombia -- Recuay, Peru -- Carchi-Narino, Ecuador-Colombia -- Classic Quimbaya, Colombia -- San Agustin, Colombia -- Cocle, Panama -- Lower Central American Sculpture -- Teotihuacan, Mexico -- Monte Alban, Mexico -- Veracruz, Mexico -- Maya, Guatemala-Belize and Neighboring Mexico and Honduras -- Empires and Integration -- Toltec Nahua, Mexico -- Toltec Maya, Mexico -- Mixtec, Mexico -- Chorotega, Costa Rica-Nicaragua -- Aztec, Mexico -- Intermediate Area Chiefdoms -- Taino, West Indies -- Tairona, Colombia -- Chibcha, Colombia -- Manteno, Ecuador -- Tiwanaku, Bolivia -- Wari, Peru -- Sican, Peru -- Chimu, Peru -- Inca, Chile to Ecuador -- Colonial Art of the American Viceroyalties -- Assimilated Pre-Columbian Traditions -- Iberian Traditions -- Early Renaissance with Gothic Survivals -- Mannerism -- Purism -- Baroque -- Rococo -- Neoclassicism -- Non-Hispanic Artistic Survivals -- Art After Independence -- Romanticism -- Academic Realism -- Modernismo -- Mexican Mural Renaissance -- Abstraction -- Surrealism -- Recent Art.