In this follow-up to the New York Times best-selling Behold the Dreamers, a PEN/Faulkner Award winner, the fictional African village of Kosawa is despoiled by pipeline spills from an American oil company. Clean-up and reparations promises are blithe and broken, so the villagers fight back. Told from the perspective of the village's embattled children and the family of the revolutionary girl Thule.

The author of the award-winning debut Behold the Dreamers (2016) follows up with a decades-spanning account of environmental calamity and its reverberating, often violent impact on a fictional African village. The year 1980 finds Pexton, an American oil giant, in the midst of a yearslong project that by slow degrees is choking the life out of Kosawa, many of whose villagers have already perished "from the poison in the water and the poison in the air and the poisoned food growing from the land that lost its purity the day Pexton came drilling." Whatever efforts the villagers make to seek relief or repairs have been met with relative indifference by the company and brutal reprisals from their nation's dictatorship. But in October of that year, a Pexton delegation that had come to Kosawa to placate its desperate citizenry is taken captive by the village madman, Konga, whose reckless gesture is joined by others who believe their dire circumstances leave them no choice but to fight back. So begins a long, valiant, and costly struggle between this tiny farm village and the seemingly overpowering forces both within and outside its country poised to curtail or ignore its grievances. Mbue tells her story from several perspectives and displays deep and detailed empathy toward men and women of various ages, however they may feel about the bloodshed, imprisonment, thwarted hopes, and pervasive fear that dominate the village for the remaining years of the 20th century. At some point, the concerns of these and other villagers coalesce around Thula, an avid and intelligent 10-year-old girl when the Pexton spokesmen are kidnapped, who later goes to America to become educated about the wider world, though she vows to return to Kosawa someday. When she does, she is intent on setting in motion a plan to "bring down" the country's despotic regime. Meanwhile, the land becomes less habitable, Pexton's promises of reparations come to little, and Thula's patience with legal remedies erodes further. Among the many virtues of Mbue's novel is the way it uses an ecological nightmare to frame a vivid and stirring picture of human beings' asserting their value to the world, whether the world cares about them or not. A fierce, up-to-the-minute novel that makes you sad enough to grieve and angry enough to fight back. Copyright (c) Kirkus Reviews, used with permission.

Mbue follows up her PEN/Faulkner-winning Behold the Dreamers with a stirring, decades-spanning portrait of an African village striking back against environmental exploitation. In the 1980s in the fictional village of Kosawa, children are dying, poisoned by American oil company Pexton's leaking pipelines. One small act of sabotage--a villager steals a couple of Pexton representatives' car keys--spurs Kosawa's residents to kidnap their corrupt village headman and the two oilmen whose keys were stolen, and triggers a chain reaction of tiny revolutions that reverberate for generations through transatlantic radicalization and violence in Kosawa, told through the fortunes and failures of Thula Nangi and her family. Thula's father, Malabo Nangi, vanished in the capital petitioning for government intervention; her uncle Bongo is spurred to seek foreign aid after Malabo disappears; and Thula becomes a charismatic revolutionary. With a kaleidoscope of perspectives, Mbue lyrically charts a culture in the midst of change, and poses ethical questions about the resisters' complex set of motives. While a series of repeated reminiscences from various characters and explicit moral lessons stall the momentum, Mbue's portrayal of Kosawa's disintegration is nevertheless heartbreaking. This ruminative environmental justice elegy fills a broad canvas, but falls just short of being a masterpiece. Agent: Susan Golomb, Writers House. (Mar.)

Deep in Africa, the village of Kosawa bears the curse of oil. The oldest among the residents remember when the scent of the village became the smell of crude. The drumbeat of capitalism, as personified by an American oil company, has steadily contaminated the region's natural resources to the point where the children are falling sick and dying. Mbue (Behold the Dreamers, 2016) paints a gripping and nuanced picture of resistance as the town takes on Big Oil through successive generations of its promising citizens. Thula, a young woman who has witnessed nothing but the steady environmental degradation of her village throughout her young life, spearheads the later versions of the fight for justice. The book's narrative device, a chorus of voices, sometimes stalls the linear march of the story as each narrator tells a similar tale of difficult circumstances, barely pushing the plot forward. This reflectiveness emphasizes the universal ring to the villagers' epic battle, and the outcomes are tragically familiar. Mbue's novel offers proof that capitalism is just colonialism masquerading as a different avatar.