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Framing America : a social history of American art  Cover Image Book Book

Framing America : a social history of American art

Summary: "Framing America takes an inclusive approach to American art. Along with comprehensive coverage of the canon, it expands and integrates treatment of frequently marginalized groups, while also addressing domestic arts and a range of political and social contexts. This fully revised fourth edition, reorganized in response to readers' suggestions, includes thirty-two chapters now arranged into nine parts, and available in two separate volumes; part openers featuring timelines and introductions that highlight how major events and artistic movements relate chronologically; increased coverage of the lives and work of women, African Americans, and Native Americans; new images--from a sixteenth-century print of the Spanish conquest of the Americas and a seventeenth-century embroidered altar frontal from New France, to nineteenth century American Impressionist landscape paintings and photographic portraits of San Francisco's Chinatown and Civil War battlefields; new review questions at the end of each chapter; instructor resources, including a fully revised test bank, the author's notes on using the book, links to further relevant material, and images for instructors"--

Record details

  • ISBN: 9780500292976
  • ISBN: 0500292973
  • ISBN: 9780500292952
  • ISBN: 0500292957
  • ISBN: 9780500292969
  • ISBN: 0500292965
  • Physical Description: print
    volumes : illustrations (some color) ; 28 cm
  • Edition: Fourth edition.
  • Publisher: New York, NY : Thames & Hudson, 2017.

Content descriptions

Bibliography, etc. Note: Includes bibliographical references and index.
Formatted Contents Note: v. 1. c. 200 BCE-1900. Part 1: Art and conquest c. 200 BCE-1821 CE. 1. Visualizing the conquest : colonial Spain and indigenous Mesoamerica (c. 1500-1580) ; 2. Art and architecture in the northern territories of New Spain (c. 900-1821) ; 3. New France : contact zones and cultural production (c. 200 BCE-1760 CE) ; 4. A Protestant presence in America : the arts of the British and Dutch colonies (c. 1585-1772) -- Part 2: Defining America c. 1765-1850. 5. Representing the American Revolution and its leaders (c. 1765-1810) ; 6. Symbols of a new nation : architecture and indigenous histories (c. 1785-1827) ; 7. The schooling of the nation's artists (c. 1820-1850) -- Part 3: Nature and nation c. 1000-1863. 8. Nature and the sacred (c. 1000-1863) ; 9. The occupied landscape (c. 1830-1863) ; 10. Domesticated nature (c. 1818-1860) -- Part 4: A nation at war c. 1830-1900. 11. Images of Mexico and/as America : the Mexico-US War and its aftermath (c. 1848-1860) ; 12. A nation divided : slavery and the Civil War (c. 1839-1865) ; 13. Reconstruction and shifting images of African Americans (c. 1886-1900) ; 14. The Indian Wars and the end of the Ghost Dance (c. 1869-1900) -- Part 5: Art, labor, and the Gilded Age c. 1865-1900. 15. The art of industrial labor (c. 1871-1890) ; 16. The art of professional and domestic labor (c. 1865-1889) ; 17. Gender, the ideal, and the real (c. 1871-1900) ; 18. Art and architecture at the end of the century (c. 1885-1900) -- Glossary --
Subject: Art, American
Art and society
Art, American
Art and society
Genre: History.

Available copies

  • 2 of 2 copies available at Homer Library. (Show)
  • 2 of 2 copies available at Homer Library System. (Show)
  • 2 of 2 copies available at Homer Public Library.

Holds

  • 0 current holds with 2 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Homer Public Library 709.7 POH V.1 (Text) 000155289 Nonfiction Available -
Homer Public Library 709.7 POH V.2 (Text) 000155290 Nonfiction Available -

Syndetic Solutions - Summary for ISBN Number 9780500292976
Framing America : A Social History of American Art: Volumes 1 And 2
Framing America : A Social History of American Art: Volumes 1 And 2
by Pohl, Frances K.
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Summary

Framing America : A Social History of American Art: Volumes 1 And 2


Unique in its inclusive treatment, Framing America embraces the full scope of American art from the sixteenth century to the present. In addition to offering comprehensive coverage of the canon, Frances K. Pohl's narrative goes beyond the traditional, and sometimes derogatory, treatment of certain populations in American society and addresses the domestic arts and the social and political contexts of art. The fourth edition is presented for the first time in two volumes. It will be sold as individual volumes as well as a packaged set containing both. The book is split in order to offer greater portability to students and to appeal to a greater number of courses. For example, instructors teaching a course on American art since 1900 or American art since 1945 can now assign the single, briefer volume that relates most directly to their course. New pedagogy also makes the book more accessible: artfully designed timelines open each part, situating important events in American history more accurately and while showing how they relate to art. Many images have increased in size and color throughout to help students identify small but important details in each work.
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